简介：一个中国诗人帮助瑞士画家在纽约布鲁克林中国城找房子，二人共同聊起了共同的朋友William...

简介：在克里特岛东北：一个男子被警察从荒无人烟的史宾纳隆加小岛押送到主岛上。这个男子是一个竖琴音乐家，坚持对自己的经历只字不提。其他人则开始对此进行猜测。

简介：2012年lativ首部微电影由金钟导演许肇任率领国内顶尖的制作团队进行拍摄，故事讲述一个都市女孩和一群偏远国小小学生之间的真挚情谊。传达人与人之间，最令人难以-忘怀的往往不在绚烂喧哗而在最纯净率性的真实；就如同衣服之於穿著者，回归简单舒适，反而最能呈现出衣服的质感，这也正是lativ始终坚持的品牌信念。　　本部微电影在南澳乡金洋村及武塔村实景拍摄，由可爱的泰雅族原住民小朋友参与电影拍摄，片中除了角色间真挚的情感互动外，也尽揽蘇花一带的优美胜景，重新感受生活的单纯美-好。（摘自百度百科）

简介：Mother, father and sister visit the adult son in the family in his small apartment for a dinner. The father gives one critical view after the other about his sons life.

简介：Appropriately, her own 14th arrondissement (specifically Rue Daguerre) is a source of pleasure for the protagonist (Jasmine Thiré) and viewer, having been photographed carefully, beautifully, and lovingly. The first word that this all brought to mind way “playful,” and I’m pleased that my simple descriptor is something Varda would consider appropriate. Says her, “It’s playing a game with reality. The game is called cinema.”

简介：又是一年农历春节即将到来，家住河北某山村的老汉李玉宝满心欢喜期待儿子一家回乡过年。在和儿子通话的过程中，他询问着孙子的喜好。孙子提出想要“佩奇”，这可难坏了李老汉，毕竟他可从来没见过那只粉红色的动画小猪啊！为了不让孙子失望，他动用一切手段，包括大队喇叭广播和跟乡亲们打听。有的说是女主播，有的说是洗洁精，有的说是猪，但无论如何都没有说到点儿上。好在皇天不负苦心人，李老汉终于知道了“佩奇”是何方神圣，他做好了万全的准备，期待宝贝孙子的到来……　　本片为张大鹏执导影片《小猪佩奇过大年》的先导宣传片。

简介：《我的朋友》邀请FIRST FRAME年度推荐人周迅、王一博共同演绎，由青年导演张大磊执导，描摹寻常处的体面之美，捕捉人情的隽永时刻，复现电影所带来的的生活向往。《我的朋友》亦如穿越时空的影票，诚邀观众走进FIRST FRAME的影像世界，以电影传统传承启发，鼓励青年影人的创造精神，以经典重现过去，以时光雕刻未来。　　当耳畔响起女主角小周温柔平实的喃喃絮语，我们与当下暂别，一起回到90年代的日常。小周以检票员的身份打开观众前往影像世界的入口，电影院如同永驻的庇护所，银幕悄然召唤人群，人与人因电影而久别重逢，相互安慰，荡漾情谊的波澜。《我的朋友》因复归影院精神而熠熠生辉，银幕之光照应万「帧」流转，而独一无二的电影样本与人情聚离，蕴藉隽永。交错光影映照出小周与一博的面容，成为朋友的契机悄然而至，而电影亦是每一个人的朋友。

简介：大排沟，垂直边上方的住家、店家排放肮脏的水柱，排沟上充满垃圾，成群的吴郭鱼依附在油渍上，老鼠、野鸽觅食，如果哪一天它们消失，可能也不会有人在意。赌场清洁员李凤楼（黄瀞怡饰演）与弟弟李昆洁（徐钧浩饰演）一起生活在一眼就能看尽的屋子里，李凤楼将女儿阿喜（陈昀析）藏了起来，因为被发现，她们就会被迫分开，一天，阿喜救下闯进屋内的黑色蝴蝶，李昆洁暴毙在阁楼上⋯⋯

简介：Nine-year old Eunhee anxiously prepares for her recorder exam as she struggles to find a place within her own family.

简介：“It is a film from an extended series. It is hard to say who is the main character of “The Soviet Elegy.” There are more than a hundred faces of our compatriots. But, of course, it is not by chance that it is the destiny of a famous political figure, Boris Nikolayevitch Yeltsin, that bears a special accent in the film. Though he got to power following quite typical ways, his uncommon character puts him out of the ordinary, and in the author’s opinion it may be determined by his uncommon human nature. Our hero exists within the tragic pattern of the soviet socialist life. He is a character of a drama, of which he is one of the authors. “The Soviet Elegy” can hardly be called a documentary film in the proper sense. Of course, the author guarantees the accuracy of chronology, but he insists on an artistic mode of thinking, not on a political or historical investigation.”

简介：

简介：民國68年冬季宵禁，美麗島事件的圍捕仍在進行。河邊一處境外之地，好奇心驅使少年尾隨一名神秘青年，兩人在廢棄小屋交換了恐懼與信任。而後少年被疑似警察的男子帶走，青年卻選擇視而不見。

简介：他与陌生年轻人做爱，只因为他们的声音如此熟悉，能唤起他对光的记忆：一个前摄影师的内心独白。

简介：改编自埃德加·爱伦·坡的短篇小说《贝蕾妮丝》（Berenice,1835），由侯麦本人出演男主角。

简介：丈夫被与他和妻子住在一起的唠叨丈母娘纠缠。一天晚上，他醉醺醺地回家后，被丈母娘踢了出去。他伪装成一个仆人，在自己家里找到了一份工作。

简介：A bit of color for once, all the better to see the red flags with, not to mention the obvious aerial file footage of Warsaw. The story concerns Jozef Malesa, the mason or bricklayer of the title. He was once the darling of the party, the son of two old party activists, a worker of heroic reputation, his own commitment to The Movement unquestioned. He was chosen to be destined for great things, specially educated and pushed forward to positions of responsibility in the Party. Eventually he decides, because of the ethical pressures which he feels from the obstructionism of the bureaucracy from above, he asks to return to be a simple bricklayer. He is disturbed with the way the Party deals with people, especially their lack of direct contact. He thinks workers know better than the leadership many times but that's not the way power flows. He is uncomfortable with the compromises to his idealism. He remains committed to social justice and joins his friends for the May Day rally where his comfort and confidence in his place in society cause him to defer to no man, certainly no rat faced men in overcoats with red armbands. His great pleasure in life moreover is laying brick. He finds the work satisfying and fulfilling which is why he was such an obviously superior worker in the first place.

简介：

简介：原本宁静的街区似乎发生了一起死亡事件，是谋杀？是自杀？还是意外？随着时间线的倒流，我们逐渐看到了真相。　　本片曾获芝加哥国际电影节最佳叙事短片银牌奖（2015）、汉普顿国际电影节叙事短片金海星奖（2015）等，同时也提名了英国独立电影奖最佳英国短片及圣丹斯电影节短片评委会大奖等。

简介：The lines start with “O Somma Luce” which is the title of the film and also the 67th line of the 33rd canto in “Paradiso” of Dante’s “Divine Comedy” to the end of “Paradiso”.  The film is completed with music and lines instead of emotions and narrations.  This is a recent attempt to combine film with literature.　　The film begins with a black screen and the music of Edgard Varese. The BGM is “Deserts” that was recorded in 1954. After some moments of darkness, the music ends and a middle-aged man sits on a hill, reciting something. He is Giorgio Passerone, an Italian literature professor, and he is reading out of the last part of ‘Paradiso’ of Dante’s Divine Comedy. Jean-Marie Straub expressed how he thinks of Dante through a subtle accent and dialect. The director who had encoded many great artists and musicians including Bach, complete the combination of Dante and Varese, which could seem strange. (Lim Kyung Yong)

简介：洛洛，一个十一岁的男孩，他最好的朋友们正在帮助他理解他们的性向认知和自我认知。

简介：当20岁的克里斯蒂（Christy）与她小时候的女保姆重聚时，一场浪漫的爱情开始了。——橘里橘气译制组

简介：本片讲述了一个带着小女儿的离异男子想与一个爱慕已久的女人结婚,而对方正是无法接受他有一个小女儿的现状,舍弃他与另一个男人结婚.在结婚典礼现场,这个男人拿着钻戒意外的出现了……

简介：《望夫石》（La Pierre de l'attente，1991），陳英雄一部21分鐘的短片，曾經獲得1992年里爾國際電影節（Lille International Short and Documentary Film Festival）評審團大獎

简介：兩個高中生閔何和三寶(sanbeom)是一對同性戀人。為慶祝他們的交往一百天紀念日，兩人前往海邊旅行。閔何即使在公眾場合也對三寶大方表示愛意，並不如何在意旁人怎麼看；相對地三寶卻總是為此感到不自在。那晚，三寶向閔何坦白了一個秘密⋯⋯