5
8.8
HD
芭芭拉2012
8.8
上映时间:2025年03月04日
主演:尼娜·霍斯,罗纳尔德·策尔费尔德,赖纳·博克,Christina Hecke,克劳迪亚·盖斯勒-巴丁,Peter Weiss,Carolin Haupt,Deniz Petzold,Rosa Enskat,贾斯娜·弗里茨·鲍尔,Peer-Uwe Teska,Elisabeth Lehmann,马克·瓦斯科,Peter Benedict,托马斯·诺伊曼,苏珊妮·博曼,雅尼克·许曼,艾丽西娅·冯·里特贝格,克斯腾·布劳克
简介:

女医生Babara(尼娜·霍斯 Nina Hoss 饰)因为企图从民主德国逃到联邦德国未遂,而被从柏林调遣到一所乡村医院工作,一开始她根本不和周围的人来往,直到医生Andre(隆纳德·泽荷菲德 Ronald Zehrfeld 饰)主动和她接近。医院里新送来一名女孩Stella,得的是脑膜炎,在Babara的细心呵护下逐渐康复。女孩却又因为怀孕了而被送去东德的劳教所。而另一方面,Babara在男友的帮助下积极准备下一次逃亡计划。虽然她还要不时地遭到东德警察的搜查,但是她隐藏得无懈可击。医院里又送来一名自杀未遂的男病人,Babara认为他需要动手术。Andre决定在周六晚上对这名病人进行手术,需要Babara的协助,而周六晚上正是Babara要进行逃亡计划的时间。正在她准备离开家的时候,Stella从劳教所逃出来找到了她.......                                                                        导演Christian Petzold凭借此片获得2012柏林电影节最佳导演银熊奖。

5
HD
芭芭拉2012
主演:尼娜·霍斯,罗纳尔德·策尔费尔德,赖纳·博克,Christina Hecke,克劳迪亚·盖斯勒-巴丁,Peter Weiss,Carolin Haupt,Deniz Petzold,Rosa Enskat,贾斯娜·弗里茨·鲍尔,Peer-Uwe Teska,Elisabeth Lehmann,马克·瓦斯科,Peter Benedict,托马斯·诺伊曼,苏珊妮·博曼,雅尼克·许曼,艾丽西娅·冯·里特贝格,克斯腾·布劳克
5
8.8
温柔敦厚古装剧
侯爵夫人
8.8
上映时间:03月25日
主演:Edith Clever,布鲁诺·甘茨
简介:意年夜利北部的小镇,俄罗斯戎止突破了防线,攻占了乡堡,驻天年夜本营指示民罗伦索只能带收手下投诚,俄罗斯人礼貌天吸收了。罗伦索的女女朱丽塔(又被称为玛奎丝)带着一对后代多年守众正在家,正在押躲戎止的时刻,险些被敌军战士侮辱,被俄罗斯军民列特里特伯爵所救。当早,朱丽塔吃了镇静药昏昏睡去。第两天,罗伦索女女要背伯爵感开拯救之恩,但伯爵已随军出收。朱丽塔对伯爵很有好感,一直愿视能睹到他,很快传去凶讯,伯爵舍身战天,朱丽塔异常失落踪。没有暂后,朱丽塔肉体模糊,身体没有适,一切症状皆让她疑心自身有身了。伯爵突然去访,本去他只是背了重伤,他很直接天背朱丽塔供婚。虽然朱丽塔决意没有再用自身的幸运再冒第两次险,但经没有住怙恃的劝讲战伯爵的周到诚意,准许伯爵私事回去后便完婚。若干个星期后,朱丽塔有身的迹象愈趋明隐,年夜妇、助产士皆讲她一定是有身了,朱丽塔没有明以是,肉体将远瓦解了。母亲没有能容忍那类没有清黑,女亲更是要拒却联系闭系,朱丽塔被驱逐落发门,离开乡下,被小镇上人称为O女侯爵(为尊者讳)。伯爵回去后,相疑她的清黑,到乡下再次供婚。朱丽塔谢绝了,她正在报纸上登了启事,要孩子的女亲正在3号的时刻自动涌现,她便会娶给他,岂论他的身世家庭。怙恃终究相疑朱丽塔的无辜,把她接回家中,一家人捧头痛哭,亲睦如初。第两天,使人恐惧的3号,朱丽塔战怙恃坐坐没有安天守候着上天的讯断。伯爵,是伯爵涌现正在门心,朱丽塔无论怎样易以吸收谁人终局,她真正在没有能吸收自身心目中极为绅士有礼的伯爵居然犯下云云毛病,当下再次谢绝战他完婚。怙恃的支配下,两小我私家终究联开,没有暂,孩子出死了,匹俦终究开好,朱丽塔捉住了险些失的幸运。
5
温柔敦厚古装剧
侯爵夫人
主演:Edith Clever,布鲁诺·甘茨
3
8.7
爱情中的背叛
不安
8.7
上映时间:03月25日
主演:英格丽·褒曼,Mathias Wieman,Renate Mannhardt
简介:Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
3
爱情中的背叛
不安
主演:英格丽·褒曼,Mathias Wieman,Renate Mannhardt