7
7.2
已完结
他们为祖国而战
7.2
上映时间:2025年03月03日
主演:瓦西里·舒克申,维亚切斯拉夫·吉洪诺夫,谢尔盖·邦达尔丘克,格奥尔吉·布尔科夫,尤里·尼库林,伊万·拉皮科夫,尼古拉·古边科,安德烈·罗斯托茨基,叶夫根尼·萨莫伊洛夫,诺娜·莫尔久科娃,因诺肯季·斯莫克图诺夫斯基,安格林娜·斯捷潘诺娃,伊琳娜·斯科布采娃,塔季扬娜·博若克,利季娅·费多谢耶娃-舒克申娜,Daniil Ilchenko,阿列克谢·瓦宁,尼古拉·戈洛夫,Vitali Leonov,彼得·梅尔库里耶夫,尤努斯.尤素波夫,娜塔莉亚·贡达列娃
简介:影片鲜明而真实地表现了1942年夏季苏军在顿河草原上的保卫战:一支团队在撤退途中,奉命占领一个小村后面的十字路口的高地。主人公在战前从事着不同的职业,战争使他们聚集到了一起。经过艰苦卓绝的战斗,这支团队完成了占领高地的任务,保住了团队的旗帜,但付出了惨痛的代价,伤亡十分严重。
7
已完结
他们为祖国而战
主演:瓦西里·舒克申,维亚切斯拉夫·吉洪诺夫,谢尔盖·邦达尔丘克,格奥尔吉·布尔科夫,尤里·尼库林,伊万·拉皮科夫,尼古拉·古边科,安德烈·罗斯托茨基,叶夫根尼·萨莫伊洛夫,诺娜·莫尔久科娃,因诺肯季·斯莫克图诺夫斯基,安格林娜·斯捷潘诺娃,伊琳娜·斯科布采娃,塔季扬娜·博若克,利季娅·费多谢耶娃-舒克申娜,Daniil Ilchenko,阿列克谢·瓦宁,尼古拉·戈洛夫,Vitali Leonov,彼得·梅尔库里耶夫,尤努斯.尤素波夫,娜塔莉亚·贡达列娃
9
9.2
已完结
欧洲的某个地方
9.2
上映时间:2025年03月03日
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
9
已完结
欧洲的某个地方
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
10
6.5
已完结
纳尔齐斯与歌尔德蒙
6.5
上映时间:2025年03月03日
主演:杰尼斯·纽沃纳,萨宾·塔布瑞亚,亨丽埃特·肯夫里乌斯,卢卡斯·贝奇,罗珊妮·杜兰,格奥尔格·弗里德里希,迈克尔·格兰特斯琴,马蒂亚斯·哈比希,安德烈·赫尼克,伊丽莎白·卡内蒂斯,罗曼·约翰尼斯·科恩菲尔德,约翰内斯·克里施,松妮·梅勒斯,杰里米·米里克,乌韦·奥克森克内希特,基达·拉马丹,布兰科·萨马罗夫斯基,艾丽莎·施洛特,杰西卡·施瓦茨,艾米利亚·舒勒,马里乌斯·西奥伯德
简介:年轻的戈德蒙德(詹尼斯·尼沃纳)由他的父亲派去马里亚布龙修道院学习,并会见了虔诚的n修道院学生纳西苏斯(萨宾·坦布雷亚)。水仙致力于修道院的禁欲和严格的生活规则与心脏和灵魂,起初戈德蒙德试图跟随他。两人之间的亲密友谊很快发展起来,但浮躁和爱好乐趣的金嘴很快意识到,修道院给他的生活视角与他的自由思想不一致,在水仙子的鼓励下,踏上了充满冒险的旅程,在此期间,他终于遇到了他伟大的爱勒尼(亨利特·康布里乌斯)。但多年后,水仙和戈德蒙德在戏剧性的环境中再次相遇...
10
已完结
纳尔齐斯与歌尔德蒙
主演:杰尼斯·纽沃纳,萨宾·塔布瑞亚,亨丽埃特·肯夫里乌斯,卢卡斯·贝奇,罗珊妮·杜兰,格奥尔格·弗里德里希,迈克尔·格兰特斯琴,马蒂亚斯·哈比希,安德烈·赫尼克,伊丽莎白·卡内蒂斯,罗曼·约翰尼斯·科恩菲尔德,约翰内斯·克里施,松妮·梅勒斯,杰里米·米里克,乌韦·奥克森克内希特,基达·拉马丹,布兰科·萨马罗夫斯基,艾丽莎·施洛特,杰西卡·施瓦茨,艾米利亚·舒勒,马里乌斯·西奥伯德