43
8.3
已完结
密码太保
8.3
上映时间:2025年03月03日
主演:文森特·卡索,莫妮卡·贝鲁奇,切基·卡尤,Antoine Basler
简介:教堂中,受洗的太保杜伯曼嚎啕大哭,太保父亲的友人送了一把枪枝 ,却被教堂外疯狂冲入的黑狗咬住,枪枝飞出掉落在婴儿车上,太保停主哭声,拿枪怏乐的把玩,这是一个枪枝与男人的故事……  巷警察局长气炸了,这已经不是单纯的犯罪,太保(文生卡索饰)抢劫、挟持、杀人的犯罪纪录力简直可以出一张犯罪精选集,但每次的搜捕行动终究还是失败了。于是他们派出集腐败、狠毒、下贱、杀人不贬眼的克里斯汀尼警探出手,他是所有混混的葬礼负责人,一个带着警徽的撒旦,他对折磨有种病态的狂热,他说:野味总是要等到有点腐败的时候再享用才会美味,他像只狗嗅出太保犯罪的足迹循线追查。  超现实的豪华派对在地狱般的酒吧进行,狂欢纵欲下隐藏着杀机,动员所有的人力、枪枝、火炮,然而,太保岂是这麽好搞定!狠毒的折磨、杀人和炮轰在酒吧中早已不足为奇,这是一场男人和男人的战争,火拼之中,早已没有好人与坏人的分野……    本片由卢贝松极力推崇之法国新朝派导演──强酷男,本片乃他的第一部剧情长片。本片导演想打破传统道德的规范,让观众随剧情的挑□与暴力,感到好笑或恐惧;强觉得如果电影本身对观众没有情绪上的影响,观众还能边看边吃爆米花的话,那他就算是失败了。跟卢贝松的影像风格一样,但由于内容赤裸裸地表现出虚无、混乱、无秩序的反社会味道,在法国及日本等地上映时,都造成不小的争议!莫妮卡貝魯奇的太妹形象还真是出位,看惯了西西里的美丽佳人,乍一看吓了一跳。风格是彻底的反叛,说句开玩笑的话,要不人家叫強酷男哪,真是酷!
43
已完结
密码太保
主演:文森特·卡索,莫妮卡·贝鲁奇,切基·卡尤,Antoine Basler
41
6.8
HD
人生学校
6.8
上映时间:2025年03月03日
主演:弗朗索瓦·克鲁塞,让·斯坎德尔,埃里克·埃尔莫斯尼诺,弗朗索瓦·贝莱昂,瓦蕾丽·卡尔桑迪,托马·迪朗,伊洛娜·卡布雷拉,于尔班·康塞利埃,阿菲·班·巴德拉,洛朗·杰拉
简介:

一天,孤儿院寻找到了塞莱斯蒂娜(瓦蕾丽·卡尔桑迪 Valérie Karsenti 饰),希望她能够考虑收养小保罗卡拉代克(让·斯坎德尔 Jean Scandel 饰)。塞莱斯蒂娜心中矛盾,因为她认识保罗的亲生母亲,知晓了一些关于他的背景,于是起初拒绝了这个请求。然而,当她亲眼目睹保罗在孤儿院的悲惨处境时,内心的同情和责任感促使她最终做出了决定,冒险接纳了这个孩子。   塞莱斯蒂娜在隐瞒了保罗的身份后,将他带到了自己工作的庄园里。她的丈夫博雷尔(埃里克·埃尔莫斯尼诺 Eric Elmosnino 饰)是一名森林警察,对于保护森林中的野生动物义愤填膺,尤其对偷猎者托托什深恶痛绝。托托什是个机智灵巧的人,常常成功地逃脱博雷尔的追捕,让博雷尔感到十分沮丧。然而,在塞莱斯蒂娜的安排下,保罗结识了托托什,并与他建立起了一段特殊的友谊。他开始在托托什身边学习关于森林...

41
HD
人生学校
主演:弗朗索瓦·克鲁塞,让·斯坎德尔,埃里克·埃尔莫斯尼诺,弗朗索瓦·贝莱昂,瓦蕾丽·卡尔桑迪,托马·迪朗,伊洛娜·卡布雷拉,于尔班·康塞利埃,阿菲·班·巴德拉,洛朗·杰拉
38
7.1
已完结
不安分的年轻人们
7.1
上映时间:2025年03月03日
主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔
简介:Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
38
已完结
不安分的年轻人们
主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔