简介：回到家乡柏尔马拍摄的《革命之前》，是贝托鲁奇首次在人性探讨以外加进政治意识的作品。影片描述一个中产阶段的知识青年如何徘徊在理想与现实之间的犹豫感。他想和人谈革命，谈感情，但当他爱上他的姨母，却为这种感情觉得内疚和痛苦不安。终于他斗不过现实，和一个自己不大喜欢的少女结婚。影片虽不是贝托鲁奇的个人自传，但在电影里他却尽现上世纪六十年代的时代氛围，年少气盛的他在片中绝对是火气十足。

简介：该片是《海蒂和爷爷》导演阿兰•葛斯彭纳最新力作，一部德国版的“饥饿游戏”！未来社会阶级分明，制度将菁英与弱者划分开来，前者享有富足的生活与保护，后者则被遣送到拥挤脏乱的底层地区。为了获得优渥的资源，各类竞争无所不在。札克与娜迪获选参加顶尖大学保送资格的体能训练营，他们除了要合作完成各项任务，还得在个人表现上拔得头筹。相较遵守游戏规则的娜迪，向   往自由的札克开始质疑制度，两人的摩擦逐渐升高：一本失踪日记、一起意外命案，不仅改变他们的命运，也揭开扭曲体制下的私欲与谎言。

简介：賽巴斯，三十歲單身漢，有一隻八歲的愛犬相伴。只要他不在，狗狗就會頻頻哀鳴，引起鄰居抱怨，他只好帶著狗去上班，卻因此被公司開除，只能靠打零工度日，過著流浪犬般的人生。當神祕隕石撞擊地球，空氣被污染，離地一百二十公分以上的人，得要靠呼吸器才能行走。幸好賽巴斯早就超前部署，「魯」到沒在怕！他的魯蛇人生會因此而有所轉機嗎？　　阿根廷導演安娜卡茲繼2007年成名作品《分手假期》後，再次以精準的影像語言、絕妙的台詞設計，施展冷調黑色幽默，結合末日感軟科幻，在黑白的荒唐人生中提煉一絲安慰。長達三年的拍攝期，正好遇上全球疫情，導演靈機一動，巧妙將大環境變動嵌入這則描繪青年無力感的哀歌，意外讓本片成為一則饒富深意的末世寓言。

简介：当前摔跤冠军卡基得知他的儿子搜搜陷入困境时，他从佐治亚州前往纽约帮助他并了解发生了什么……莱万·科瓜什维利将他的最新作品放在了布鲁克林的布莱顿海滩，捕捉到了来自前苏联的移民所居住的社区的多元氛围——在这个地方，语言和种族混合在一起，大多数商店的招牌都是西里尔文，人们对祖 国的怀念与他们当前的痛苦交织在一起。这部电影充满了深深的忧郁，充满了悲喜剧时刻和对主角的理解，捕捉到了一个父亲和他成年儿子之间的纽带，这是一种古老的纽带，无论在什么情况下，年长的人都会觉得有必要保护他的血液。

简介：泥鳅（倪萍 饰）与丈夫离婚后带着一对双胞胎女儿来到北京，本想投靠朋友，可朋友的处境也不太好。于是泥鳅决定自力更生，她多次遇到了在火车上要求与她发生关系的包工头，没想到两人都叫泥鳅。　　男泥鳅（倪大红 饰）也是个背井离乡的人，妻子逝世了。他把女泥鳅留下，虽然吃住不是很好，但起码有个落脚的地方，离乡在外困难众多，大家也互相照应。　　为了生活女泥鳅去当女佣，这时男泥鳅欠下了工人的工钱，她也提出帮他还债，就这样，他们互相挣扎在北京生活，做着粗活，养活自己与女儿。　　但生活并不是那么简单，他们需要面临的还有很多……

简介：故事发生在今天的北非和中东间的某个小村落。自古以来，顶着烈日去深山挑水的重担一直落在村里的女人身上。新婚的Leila建议女人们向男人“开战”：如果他们不去挑水，便再也无权享受鱼水之欢。

简介：关于片名，طلامس 为突尼斯方言之中的Talisman（护身符、驱邪物），中译驱邪之咒由法语片名sortilège（魔咒、法术）与阿语本意结合而得来。　　S，本片的男主角原本是一名突尼斯旷野之中执行任务的士兵，后因母亲去世而进行了一周的休假，然而在回到故乡之后却沦为通缉人员。在意外之中，他逃到了一片有魔力的森林之中。　　F，本片的女主角，一名富商的妻子，在得知自己怀孕后他的丈夫便前往他国，留下她一个人在森林附近的房子中。她意外地走入了森林，并遇到了S。他们不需说话，只需看对方的眼睛便可以交流。S劫持了F，让她留在森林中生育，而F似乎也因为森林的魔力（黑色的石碑正是此的象征）而被蛊惑…

简介：The lines are busy at the telephone helpline. A life coach records an encouraging video while concerned parents consult a child psychologist. A spectrum of cinematic tableaus shows people trying to counteract the increasing loneliness to create intimacy in a detached society.

简介：Vienna, 1920. The Austro-Hungarian Empire has collapsed. Peter Perg returns home from the Great War, after seven years as a Russian POW. Vienna is experiencing the multiplicity of political, social and artistic freedom, but also the rise of anti-democratic movements, insecurity and unemployment. Peter, a former police inspector, feels like a stranger in the new Austrian Republic. While wanting to leave town, Peter is confronted with the murder of one of his former comrades. He decides to stay and instead bring the killer to justice. His ally is Dr. Theresa Körner, a determined and cool-headed forensic doctor. The two are linked not only by this case, but also by a deeper, shared history. As their investigation progresses, they realise that they are not just up against a systematic killer, who tortures his victims, but also face disapproval and intrigue from within the police force. Though determined to solve the crime, Peter, harbouring his own secrets, increasingly becomes tormented by existential questions What is truth What is heroism in the time of war And all the while he fails to see the mounting danger before him.

简介：在克里特岛东北：一个男子被警察从荒无人烟的史宾纳隆加小岛押送到主岛上。这个男子是一个竖琴音乐家，坚持对自己的经历只字不提。其他人则开始对此进行猜测。

简介：为了父亲的移墓，定居美国长达九年的阿棕，睽违许久回到家乡。他带了伊恩一起回来，但全家族并不知道伊恩正是阿棕的男友，而此趟阿棕也正打算与母亲出柜。长久以来，母亲一直希望阿棕能够早点成家，让她可以抱孙子，就跟所有平凡的家庭一样。阿棕一直找不到最适当的时机开口，就在此时，他意外得知母亲罹患重病的消息……

简介：内勒（莱昂纳多·斯巴拉格利亚 Leonardo Sbaraglia 饰）和安吉尔（爱德华多·诺列加 Eduardo Noriega 饰）是一对被称为“双胞胎”的暴力匪徒，形影不离的他们实际上是同性恋人的关系。两人相识于一个同性恋出没的公共厕所，内勒把无家可归的安吉尔带回家，自此二人同居，一起生活，一起作案。安吉尔患有严重的幻听，时时听到聒噪的声音，受这些声音的支配，安吉尔开始拒绝内勒的触碰。隔阂渐渐在二人之间产生，内勒知道，只要他们再合作干一桩大案，就能重新找回“双胞胎”的感觉。他们参与了一桩由一名政府官员策划的抢劫案，两人以及同伙一起打劫了银行的运钞车。抢劫过程并不顺利，安吉尔中枪，内勒把警察都杀死了，他们犯下了惊天大案。为了逃避追捕，他们带着抢来的钱，展开了逃亡之旅。　　本片改编自1965年发生在阿根廷的真实犯罪事件。

简介：两个爸爸的故事，动人呈现。Phoon和Yuke一起接近13年，更领养了一名孩子，让他能有一个健康的环境成长。当他们的养子开始入学之后，同学经常取笑他没有妈妈，令他非常苦恼。他开始向两名爸爸，发问大量有关妈妈的问题，儿童保护组织更提出了令人难堪的建议。为了孩子的快乐，两名 爸爸必须作出一个令自己难过的选择。

简介：1971 年，一名遇难陆军少校之子被印度调查分析局发掘，在战前作为卧底安插在巴基斯坦。

简介：常锡剧电影　　寡妇苏小娥受尽主张大有的剥削压迫，靠磨豆腐为生，过着孤苦伶仃的生活。　　一天晚上，她到河边挑水，不提防水桶给一个行走匆忙的过路人撞翻了，这个人名叫何宜度，是地主张大有家里雇佣的长工，为人忠厚老实，他辛苦工作一年，张大有竟狠毒地把他的工钱赖掉了，一路上他想着家里的老娘正饿着肚子，年关又到，一个钱都没有，急得心慌意乱，不小心便把苏小娥的水桶给撞翻了。苏小娥问明白了何宜度的底细后，很同情他，就把他请到自己家里去，还拿出50个小钱给他过年。何宜度非常感激，又见她一个人孤苦伶仃，怪可怜的，便帮她干起活来，挑水、推磨、灌浆、烧火……苏小娥一个人平常要忙到二更天的活，今晚在何宜度的帮助下，没多少时候便全部做完了。　　豆腐磨完了，何宜度就要回去。苏小娥心里真有些舍不得他走，请他喝了一碗豆浆，又借给他一件棉衣穿上。何宜度是个忠厚老实的人，他从来没有受到过这样温暖体贴的关怀，他感动得连话都说不上来。苏小娥对何宜度说了真心话：“你我都是苦根生，应该互相来帮助!”何宜度也答应把老娘接来，跟苏小娥一起生活。　　这一对有了真诚爱情的青年男女，终于冲破了旧礼教的束缚，幸福地结合在一起。

简介：讲述一位意大利书店商人（男）和一位性格疯癫的戏剧演员（女）陷入爱情的过程。书店商独自在顶楼抚养双腿残疾从不出门的女儿，某天喜剧演员忽然冲进书店寻找她丢失的狗，两人因此相识，彼此进行精神抚慰。

简介：1899年的巴西，废除奴隶制后不久，逝者的亡灵仍在世人间游走。对于苏亚雷斯一家的女人们来说，放弃特权并适应中产阶级生活，令她们濒临疯狂。对于曾经被奴役的伊娜·纳西门托来说，在充满敌意的新世界中与所爱之人重聚，迫使她必须面对真实的自己。在巴西陷入困境的过去和破裂的现在之间，这些女性一边应对命运的巨变，一边试图创造着自己的未来。入围柏林国际电影节主竞赛单元。

简介：该片讲述一个为自己的诚实而自豪的普通老百姓的故事。他过着朴实的生活，以真诚为信仰。桑尼·多尔饰演一名来自北方邦的征收员，他肃贪倡廉，公正严明。这是一个关于爱与力量的故事，一个关于变革而非复仇的故事。

简介：A very famous and successful Santoor ( Iranian traditional instrument ) player falls in the trap of drugs and loses everything in his life gradually ! even his wife who was in love with him .he struggles to give up smoking and finds his way to a medical institute and manages to give up smoking .

简介：50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。　　In 1960 his second film NIKT NIE WOLA NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.

简介：Guido Carani, an engineer of noble descent, has just lost his son born to him by a chorus dancer, who, desperate, has become a nun. After a while he also loses his wife and daughter in a car accident. Poor Guido is in despair, but soon he meets Lina, a woman who is a dead ringer for Luisa.

简介：黎娜是一个高中女生，正值花样年华的她，原本应该是生气活泼，满怀希望，然而生长在单亲家庭的她，母亲只在乎自己的情感生活，漠视且吝于给予女儿应有的关爱，她也无法融入同侪之间的团体活动，因此被同学视为怪咖。黎娜其实怀有视觉艺术的天赋，在社群网站上认识同班同学提姆，两人因为对艺术的执爱，逐渐打开彼此心房，相知相惜。然而她却被唯一的好友陷害变成出卖提姆贩毒的告密者，并从此一路被陷害被误会，终于造成无法挽回的后果.

简介：前警官Asger Holm接到一通电话，来自一个被绑架的女人，当电话突然挂断后，搜寻那位女性的行动正式展开。这通电话是惟一的线索，警官需要与时间赛跑，拯救她于危难之中，然而他逐渐意识到他所处理的案件远比自己想象的要复杂很多。

简介：Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye.　　It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.　　And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).　　Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.　　And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.