12
8.2
HD
放牛班的春天2004
8.2
上映时间:2025年03月04日
主演:让-巴蒂斯特·莫尼耶,热拉尔·朱尼奥,弗朗索瓦·贝莱昂,凯德·麦拉德,让-保罗·博奈雷,雅克·贝汉,玛丽·布奈尔,马克桑斯·贝汉,格雷戈里·加迪诺尔,托马斯·布伦门塔尔,西里尔·伯尔尼科特,西蒙·法戈特,泰奥杜尔·卡雷-卡赛尼,菲利普·杜·詹纳兰德,埃里克·德斯玛莱茨,狄迪尔·弗拉蒙,Carole Weiss
简介:

1949年的法国乡村,音乐家克莱门特(热拉尔·朱尼奥 饰)到了一间外号叫“塘低”的男子寄宿学校当助理教师。学校里的学生大部分都是难缠的问题儿童,体罚在这里司空见惯,学校的校长(弗朗索瓦·贝莱昂 饰)只顾自己的前途,残暴高压。                                                                        性格沉静的克莱门特尝试用自己的方法改善这种状况,他重新创作音乐作品,组织合唱团,决定用音乐的方法来打开学生们封闭的心灵。                                                                        然而,事情并不顺利,克莱门特发现学生皮埃尔·莫安琦(让-巴蒂斯特·莫尼耶 饰)拥有非同一般的音乐天赋,但是单亲家庭长大的他,性格异常敏感孤僻,怎样释放皮埃尔的音乐才能,让克莱门特头痛不已;同时,他与皮埃尔母亲的感情也渐渐微妙起来。

12
HD
放牛班的春天2004
主演:让-巴蒂斯特·莫尼耶,热拉尔·朱尼奥,弗朗索瓦·贝莱昂,凯德·麦拉德,让-保罗·博奈雷,雅克·贝汉,玛丽·布奈尔,马克桑斯·贝汉,格雷戈里·加迪诺尔,托马斯·布伦门塔尔,西里尔·伯尔尼科特,西蒙·法戈特,泰奥杜尔·卡雷-卡赛尼,菲利普·杜·詹纳兰德,埃里克·德斯玛莱茨,狄迪尔·弗拉蒙,Carole Weiss
11
7.3
已完结
追忆似水年华
7.3
上映时间:2025年03月03日
主演:凯瑟琳·德纳芙,艾曼纽·贝阿,文森特·佩雷斯,约翰·马尔科维奇,帕斯卡尔·格雷戈里,马切罗·马扎雷拉,玛丽-弗朗丝·皮西尔,齐雅拉·马斯楚安尼,阿丽尔·朵巴丝勒,爱迪丝·斯考博,艾尔莎·泽贝斯坦,克里斯蒂昂·瓦迪姆,多米尼克·拉布里埃,菲利普·莫里尔-热努,梅尔维尔·珀波,帕特里斯·夏侯,英格丽·卡文
简介:人在死亡之前,这一生会在眼前快转而过;《追忆似水年华》是濒死之际,追忆此生的一切。 随著意识流动,看著照片想起与此人相关的往事,又从往事中的一个细微动作物品,回忆到与其相关的其它过往,如此再三地自由联想,便复杂交错地勾勒出了主角马塞尔的一生。    要以短短的2个小时又40分钟的影片,呈现《追忆似水年华》这部原著钜作的所有,无疑是缘木求鱼,因此导演聪明地抓住原著中意识流之感,让观众一如进入梦境般,随著马塞尔的思绪跃动,反覆穿梭在马塞尔漫漫一生的各个经验翦影中,感受到回忆之玄妙,却也让人容易在其中迷了路。    片中不时出现超现实的场景转换,如马塞尔坐在椅子上,新闻电影银幕之前滑动;马塞尔在街道上走到一半突然滑跤,在身体前扑之际静止,然后背景不断转换,接著他滑到了下一个场景;或者进入一个雕像错落的异空间,观众恍如置身梦境,也充分表达了「追忆」这件事,其实与「做梦」极为相似。而片中不断出现的静止画面、雕像意像,更表达了止凝吉光片影,紧握回忆的企图。    在追忆之时,也不免对「回忆」提出辩证:「如果遗忘所带来的回忆,不再与当下有任何联系,就能让我们瞬时体验新的气象,其实,我们早已体验过这些了……每一次类比的浮想,总将我带离现在……」    片尾也以雕刻师萨维尼的故事表达了「永恒」的意念,只要曾发生过,便是永恒,它不会消失,只是不再回来,因此能鲜活地历历在心。
11
已完结
追忆似水年华
主演:凯瑟琳·德纳芙,艾曼纽·贝阿,文森特·佩雷斯,约翰·马尔科维奇,帕斯卡尔·格雷戈里,马切罗·马扎雷拉,玛丽-弗朗丝·皮西尔,齐雅拉·马斯楚安尼,阿丽尔·朵巴丝勒,爱迪丝·斯考博,艾尔莎·泽贝斯坦,克里斯蒂昂·瓦迪姆,多米尼克·拉布里埃,菲利普·莫里尔-热努,梅尔维尔·珀波,帕特里斯·夏侯,英格丽·卡文
11
8.5
已完结
生命宛如致命恶疾
8.5
上映时间:2025年03月03日
主演:比涅尤·扎塔西奇斯,克里斯提娜·杨达,塔德乌什·布拉德茨基
简介:托马斯是位年逾花甲的医生,没有宗教信仰。他一直怀疑自己身患重病。于是,他开始思考生与死的意义。答案——或者说迹象——出其不意地始于医院监护室……影片题目灵感来源于华沙的城市墙壁涂鸦。生命是悲剧性的矛盾体,本身就是通往死亡的旅程。  赞努西作品《爱在山的那一边》同一个故事的另一个版本,剧情的重心转到了意外发现自己罹患绝症的老医生身上。透过主角的挣扎,这部探讨生命、死亡、爱与救赎的「临终电影」,沈稳有力地道出赞努西对哲学与伦理学的省思,参与过不少赞努西电影的老牌演员Zbigniew Zapasiewicz表现可圈可点。  《爱在山的那一边》年轻的男主角,挣扎于应该改作服侍上帝的修士,还是回到医学院继续未完成的学业,他千方百计地寻找答案,甚至以危险的方式试炼自己,结果不但让相依为命的哥哥担忧,也连带影响了他和女友的感情。他向一个偶然认识的老医生提出他的疑惑,没料到这位步入生命终结的老人,在最后一刻意外帮助了男主角从自己强加的道德沮丧中挣脱出来。
11
已完结
生命宛如致命恶疾
主演:比涅尤·扎塔西奇斯,克里斯提娜·杨达,塔德乌什·布拉德茨基
11
7.1
已完结
不安分的年轻人们
7.1
上映时间:2025年03月03日
主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔
简介:Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
11
已完结
不安分的年轻人们
主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔