古惑丑拍档
9.5 |2025年03月03日 |正片 |共1集
简介:
史考特是一名极端讲究规矩和注意整洁的警探。福星则是世界上最肮脏、最凶恶的一条师狗,它的主人不幸因自赌一宗犯罪事件而被误杀,福星成为凶杀案的目击证人。史考特负责调查这个案子,虽然他十分痛恨福星,却不得不为了保护这个目击证人而跟它生活在一起,翻天覆地的笑料,也由此源源不绝产生...
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简介:

建于70年代的顺德左滩“甘竹滩发电站”是全国唯一的洪潮水力发电站。老余和渔村的大部分村民一样,参与了这座发电站的建设,亲眼见证了它几十年来的兴衰变迁。老余的儿子顺风(张智超 饰),在渔村度过了快乐的童年,与同村的阿德(卢喜文 饰)和美欣(李美慧 饰)两姐弟形影不离,三人共同享受着无忧无虑的时光。随着时间的推移,顺风长大了,为了在大城市里找到属于自己的位置,他踏上了艰难的奋斗之路。然而,工作和生活的重重压抑让他感到无比疲惫。面对城市的快节奏和竞争,顺风逐渐意识到,内心深处渴望的,仍然是那份来自小渔村的宁静与温暖。尽管外面的世界日新月异,小渔村里的亲情、乡情和友情却始终如一,历久弥新。                                                                        在城市的繁华与渔村的单调之间,顺风陷入了深深的思考。他开始反思自己真正想要的生活,是追求物质的丰盛,还是寻找内心的归属感?每次回到小渔村,他都能感受到那份纯真和真实的情感,让他重新获得心灵的慰藉。面对生活的现实和心灵的归属,顺风面临着艰难的抉择:他究竟是继续在城市中挣扎,还是回到渔村,追寻内心深处那份久违的宁静与安宁?最终,顺风将如何选择,决定了他未来的方向。

10
HD
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主演:张智超,安然,卢喜文,袁中方,李美慧,廖崇儒,郑小毛,温广瑜,唐茜
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主演:伊莎贝尔·于佩尔,布鲁·欧吉尔,阿丽尔·朵巴丝勒,安尼卡·库尔,罗班松·斯泰弗南,让-弗朗索瓦·斯泰弗南,罗基里奥·萨莫拉,曼努埃尔・布兰科,Tim Fischer
简介:Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence.  Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles.  Magdalena lives with her adopted parents and works in an art gallery.  The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.  Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch.  Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date.  The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride.  The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled.  Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert.  The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
5
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