夏洛克：未叙之章 特别篇

简介：

故事发生在1956年的意大利，安娜（弗洛伦丝·格林 Florence Guérin 饰）和丈夫贾科莫（西律斯·埃利亚斯 Cyrus Elias 饰）结婚多年，身为律师的贾科莫将大部分的精力都放在了工作上，这让安娜感到非常的寂寞。安娜十分想要一个孩子，可惜结婚这么多年了，她的肚子一直都没有动静。与此同时，安娜还肩负着照顾病重的母亲的责任，这些事情让她感到生活非常的压抑。

简介：

简介：一位器量着婴女的须眉被伏莽遁杀，我去也将其拯救，须眉临终将婴女托付我去也，并寻找婴女死女；我去也曾一度抛弃婴女，但终良知没有忍将其寻回；婴女生病我去也腰缠万贯手足无措，无奈下只得走进赌场；正在赌刀中结识了为人正直且一样武艺下强的御史司马俊仁；赌场斗殴进狱后，我去也有意间收现寻找婴女死女的线索；历尽万险后，我去也终将婴女交借其死女，但没有虞却遭到谢绝，更是拖累出祭酒党的惊天秘稀……运气将我去也与孤女拘束相连，终局会何去何从？

简介：

影片基于真实事件改编拍摄。讲述了苦心于围绕一级军事机密在军队内部发生的贪腐事件的将军（金相庆 饰）得到电视台女记者（金玉彬 饰）的帮助追查事件真相的故事。

简介：

一次出诊中，包法利年夜妇（让-弗朗索瓦·巴我梅 Jean-François Balmer）战年沉的女孩艾玛（伊莎贝我·于佩我 Isabelle Huppert 饰）重遇了，艾玛的杂情战艳丽让年夜妇迅速坠进了情网，两人随即完婚。婚后的死涯并没有如艾玛所幻念的那样充谦了兴趣战热情，是帅气的雷翁（卢卡斯·贝我沃克斯 Lucas Belvaux 饰）的涌现让艾玛重新快乐了起去，但他的脱离带去的则是更深的痛苦战绝视。富豪鲁讲妇（克里斯托弗·马推沃伊 Christophe Malavoy 饰）陶醉艾玛的好色，给予了她诸多的朴陋许诺，而为了配得上鲁讲妇，艾玛没有惜赊账购进细软与华服。正在约定好公奔的那一天，鲁讲妇失落约了，年夜受袭击的艾玛一病没有起。
　　正在丈妇的照应下，艾玛逐渐痊愈，正在一场音乐会上，她与雷翁重遇了，与后者挨的灼热的驲子里，艾玛丝绝没有觉察自身早已债台下筑。而当催债的传票涌现正在长远时，被一切男子扬弃的艾玛选择了殒命。

简介：

勒则天日曾是一位当地大哥，与手下四位兄弟太子、曲比阿迪、巨森和健戈靠走私名贵药材生意起家，黑白通吃，出生入死。后被兄弟太子设计陷害，和警方的搏斗中被击中左腿，落下终身残疾。而太子成功登上公司南区龙头位置，夺走勒则天日毕生挚爱陈琳为妻。勒则天日妻离子散，入狱15年，出狱后与昔日兄弟曲比阿迪沦落街头卖烧烤为生。 　　后来天日一次意外搭救了小太妹娅娅，并收留她在烧烤摊帮忙，性格倔强叛逆、常年混迹于酒吧夜场的娅娅在天日这里却找到了难得的安宁和清净，两人相依为命，娅娅对这位残疾大叔产生了无尽的依赖。 　　后来一帮黑衣人来到天日烧烤摊寻找娅娅，原来娅娅正是太子和天日前妻陈琳的千金，太子和巨森、健戈得知天日未死，相继前往探望，力求天日重新出山，不料被天日婉拒。公司老辈子三分天下，希望天日能回公司主持大局，招来太子的不满，从而派手下阿飞将老辈子杀害。 　　天日前往老辈子的灵堂祭...

简介：

影片中首先出场的是一位年迈的老人，拄着拐杖缓慢走向道路旁的长凳，还打嗝不止。伴随着连续、有节奏的打嗝声，匈牙利一个小村庄的连续杀人凶案就此展开。看似平静的农村生活，暗藏着不可告人的杀机，凡是年老体裀?不能工作的人，逐一被杀害，而村中的女人可能全是凶手……

简介：

弗兰克·法雷利 (Frank Farrelli) 在美国卡马克这个荒凉的小镇担任中间人，这个小镇陷入了严重的经济萧条，需要一个中间人以专业的方式传达更多坏消息。

简介：

　本片忠真天记叙了1960年月好国迷幻摇滚代表乐队——年夜门乐队的灵魂主唱凶姆·莫里森（圆·基默 Val Kilmer饰）从成名到自我消灭的终死。
　　正在影戏黉舍，莫里森结识了喜悲弹钢琴的键盘足雷·曼札克，两人一拍即开，决意组建一支令天下震惊的摇滚乐队：The Doors。很快，莫里森正在那里找到了其余两位乐队成员：饱足约翰·丹斯莫战凶他足罗比·克雷格。没有暂，年夜门乐队果《Light My Fire》一跃成名，万千乐迷为之放肆。正在占有款项名利诸多光环后的莫里森，却委直无奈被任何人真正相识，有人以为他是书生、艺术家，也有人把他看成疯子、瘾正人。27岁的莫里森终究选择了殒命去完毕那段无以伦比的小我私家传奇。

简介：暑假，七岁的宁宁被送回乡下，由七十多岁的爷爷李福长照顾。李福长偶然间得到了一个老朋友的联系方式，老友身体中风，时日无多。他决定带上孙子，骑着一辆摩托三轮车，去千里之外看望老友。影片以“过昭关”喻指人生，是难得一见的中国乡村公路片。

简介：The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.

简介：

30年代，中国魔术界在海南岛举行魔术盛会，推举中华魔王参加万国魔术大赛。为此，全国各地的魔术大师乃至神汉、巫师、方士、术士之流的江湖人物都云集在这里。雪芳魔术班与跛脚的怪客路不平不期而遇，相见如故。黄昏，他们来到加积镇的繁华地带，在伏波神庙前献艺。路不平为救场粉墨登场，博得一片喝彩声，身着披风压轴上场的雪芳更是色艺俱佳。心怀叵测的九风神教南海分坛坛主看中了杨雪芳，逼她做护法神女，巧于周旋的班主杨大荣与大家商讨，欲趁黑夜逃离。但丁坛主早已在门前布满手持兵器的教徒，魔术班高手罗汉挺身而出，。出奇制胜，大家匆匆逃离险境。途中，化装成联防治安队的九风神教马队欲强行带走雪芳，路不平暗中相助，将骑手们一番捉弄后假称班主被马队带走。路不平被押入南海分坛，面对森严的九凤邪教，他嬉笑怒骂，巧施魔术，把丁坛主尽情戏弄一番后溜之大吉。南海分坛的失利惊动了九风神教教主，他亲自率部赶到琼州。雪芳魔术班也历尽艰辛来到聚会地琼州。赛前，各路人物举行盛会，立志光大中华魔术。九风教送来战表，要与众高手一决雌雄。擂台大赛高潮迭起，雪芳魔术班技艺超群，正当她们即将摘走魔王桂冠之时，声势浩大的九风教仪仗队簇拥着教主而至，教主出手不凡，大有黑云压城之势，雪芳不敌教主，千钓一发之际，路不平及时出现。教主决计与路不平一决雌雄。慑人心魄的交手之后，教主被戏弄尽致。九凤神教溃败了，众人齐声拥戴路不平这位真正的中华魔王，然而路不平却不知遁向何方。