假面骑士圣刃 深罪的三重奏

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故事配景设置正在没有远的将去天下，正在414区的人型机械人殖平易远天中，公人侦探年夜卫·卡迈克我(皮我斯饰)受雇于痴迷商业天下的财阀马龙·维特(费米我饰)去寻找后者起义的女女。卡迈克我需要与下度智能的机械人(鲁茨饰)通力开做，而正在谁人历程当中，关于414区战“机械人之乡”起源的功止也浮出了水里。

简介：影片讲述了凤凰城UFO事件之后，奇怪的事情开始接连发生，三名青少年乔希、艾希莉、马克在用DV记录这一切的过程中突然离奇失踪，至今下落不明。在他们失踪二十周年之际，乔希的妹妹苏菲为了寻找真相，决定和男朋友杰伊展开调查，随着当年拍摄的内容不断被披露，隐藏在背后的真相也将浮出水面。

简介：

《雪崩鲨鱼》讲述了一场比基尼比赛遭遇鲨鱼雪崩后演变成一场恐怖事件的故事。

简介：NASA在2005年的时候发现了一个太阳系外的类地行星，并判断其上可能存在智慧生命。为了能与外星智慧生物接触，NASA启动“灯塔计划”，在夏威夷启用深空通信阵列基地，向其发射高功率信号进行试探。几年后，外星飞船不期而至。身处夏威夷的太平洋联合海军演习舰队受命进行接触。男主角海军中尉阿历克斯（泰勒·克奇 Taylor Kitsch 饰）所在的导弹驱逐舰及其他两艘军舰被作为侦查小队，受命接触外星舰船。却因此受到攻击，损失惨重。由于外星舰船展开的护盾原因，联合舰队的其他舰船无法实施支援，完全只能靠自己苦苦支撑。最后，三艘现代舰船被全部摧毁。由于无船可用，但是又必须摧毁被外星人占领的通讯站，只能启用被改为海上博物馆的密苏里号战列舰进行最后的攻击。二战时期的王牌战列舰对阵外星高科技舰船，谁能胜出？地球的命运到底如何？

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上世纪40年代，纳粹及其邪恶轴心的战火烧遍世界各个角落。居住在布鲁克林的小个子史蒂夫·罗格斯（克里斯·埃文斯 Chris Evans 饰）心系国家，一心上阵杀敌，可是糟糕的体格让他始终被征兵办拒之门外。偶然的机会，在德籍科学家厄斯金博士（Stanley Tucci 饰）的帮助下，这个小个子男孩得以走入兵营，并接受了博士的试验，化身成为高大健壮、膂力过人的超级战士。与此同时，德国纳粹红骷髅部队的首领约翰·施密特（雨果·维文 Hugo Weaving 饰）依靠超自然的力量建立起一支超级战队，企图称霸全世界。

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热门恐怖片《梅根》续集定档2025年6月27日北美上映。

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天文学家发现异常现象正朝地球太阳系而来。富裕的精英阶层对人类毁灭一事秘而不宣，以便做好自救的准备。灾难发生后，人类物种的幸存者不知疲倦地试图在一艘不稳定的母舰上生存下来。

简介：某座住宅区，负责公寓内各项维修事务的菲恩（Matt O'Leary 饰）和约瑟（George Finn 饰）是一对穷的叮当响的好基友。某天菲恩的女友凯莉（Danielle Panabaker 饰）来到他们的住处，当得知住在隔壁的贝先生已经很长时间没走出房门时，凯莉自告奋勇上门查看，结果却一脸错愕地回到二人面前。原来贝先生早已不见踪影，房间内一面墙贴满了以三个人为对象的拍立得照片，窗口则有一台奇怪的机器正对着菲恩和约瑟的房间。不久后他们发现，那台机器竟是可以拍摄到未来情景的照相机。他们发现了贝先生的尸体，然而因为照相机的原因秘藏了此事。　　无意间拥有了窥视未来的手段，年轻人们的心不知不觉躁动起来……

简介：克隆战争已经进行了三年，共和国即将胜利，分裂联盟的格非特将军和杜库伯爵（克里斯托弗•李 Christopher Lee 饰）劫持议会首相帕尔帕庭（伊恩·迈克蒂安米德Ian McDiarmid 饰）潜逃，绝地武士欧比-旺•肯诺比（伊万•麦克格雷格 Ewan McGregor 饰）和阿纳金（海登·克里斯滕森 Hayden Christensen 饰）奉长老院命前去营救，阿纳金杀死杜库伯爵救出帕尔帕庭，但格非特将军逃匿。阿纳金梦见妻子阿米达拉（娜塔丽·波特曼 Natalie Portman 饰）将死于难产，困惑中求助于帕尔帕庭，后者趁此机会离间阿纳金与绝地长老院。随着阿纳金向帕尔帕庭的靠拢，一场针对绝地武士与其所捍卫之民主的阴谋逐渐展开。　　本片提名2006年第78界奥斯卡最佳化妆奖，并提名格莱美最佳电影电视等视觉媒体原创音乐奖。

简介：故事講述求生專家柏特蓋默受雇到南非獵補兇猛的食人野獸，他有夥伴崔維斯威克的協助，將與怪獸開展一場生死對決大戰，然而這些受到進化影響的怪獸，完全超乎他們原先的想像。

简介：近未来，日本政要为了推进社会的发展，宣布正式开启提升智能机器人研究水平的“ARK计划”。秉承着一颗正直之心的光明寺信彦博士（长岛一茂 饰）参与其中，谁知相关负责人竟然假借“ARK计划”名义意图开发军用机器人。在此之后，光明寺博士不明不白死于事故，身后留下了正上大学的女儿美津（佐津川爱美 饰）以及还未成年的儿子小胜（池田悠斗 饰）。某个夜晚，姐弟俩遭遇一伙不明身份之人的劫持，危机时刻一名神秘男子出手相助，随后该男子竟然现出战斗机器人的模样，他就是光明寺博士生前专门安装了良心回路的智能机器人次郎（入江甚仪 饰）。　　光明寺姐弟的命运由此和次郎搅到一起，而更大的危机和阴谋正向他们逼近……

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.