同囚

简介：

本片是香港无线电视台TVB把1980年版经典剧集《上海滩》重新剪辑而成，分电影《上海滩》和《上海滩续集》两部作品，分别于1983年1月20日和1月25日在院线上映。 　　1930年代上海，爱国青年许文强（周润发饰）怀抱着一腔热血，却因参予学生运动而被捕下狱。许文强无意 间卷入一场黑帮火拼，结识了在贫民区长大的丁力（吕良伟饰），两人遂结为生死之交，势要在上海滩黑道中闯出名堂。两人机缘际会，加入了叱咤上海滩黑白两道冯敬尧（刘丹饰）的集团，成为黑道中炙手可热的人物。冯敬尧之女冯程程（赵雅芝饰）对许文强一见倾心，但许文强一心事业，不想谈儿女私情。一段上海帮会内的人物情仇和爱情故事由此展开。

简介：售货员方家宝和个体户田大龙偶然拾到一个红色化妆盒，里面装着两万元现款和一张回扣条，另外还有一打物资局长唐文轩的名片。二人不为金钱所动，决定找寻失主。这天，唐文轩的小舅子胡晓任经理的“大新公司”正在举行开业周年庆典仪式。为造声势特请来了方方面面领导和记者。突然，方家宝带着化妆盒闯入会场，径直来到唐文轩的面前。众目睽睽之下，唐文轩只索回了名片而拒接其它物件，并反称方家宝是小偷。拾金不昧的方家宝不仅被打得鼻青脸肿，还因“无故旷工”被单位列为“编余人员”，妻子一气之下把他赶出了家门。田大龙路见不平，拔刀相助，采取了“以毒攻毒”方针，从唐局长家中将化妆盒又偷了回来，顺手“捎”走了他家的电视机和录像机。田大龙因此触犯了刑法，并连累方家宝一起受到通缉。事已至此，二人决定到派出所自首。谁知，唐文轩为掩盖被盗真相，已经撤回了诉讼状。于是，自首又成了无事生非，方家宝被视为精神病。做贼心虚的唐局长和胡经理千方百计要夺回那个红盒子和那张至关紧要的纸条，于是，方家宝和田大龙受到了一次次的围追堵截。二人好不容易脱离险境，带着化妆盒来到了检察官耿志海的家。正在潜心调查案情的耿志海为了不打草惊蛇，故意将他们拘留。方家宝和田大龙不明就里，奋力出逃，历尽艰辛搞到了作恶者的犯罪证据。与此同时，唐局长和胡经理亦双双落入了法网。

简介：In July 2016, Islamic terrorists stormed a popular café in upscale Dhaka and held its patrons hostage, killing more than 20 people and sending shockwaves across the subcontinent. Faraaz is the youngest son of a rich, politically connected family. That evening, he meets his friends at the café and finds himself caught in the crossfire. How he reacts to the nightmarish situation forms the heart of the story. Offsetting nail-biting tension with unexpected humour – often at the expense of inept law-enforcement officials – Hansal Mehta (Aligarh, LFF 2015) brings his trademark sensitivity, nuance and empathy to this fictionalised retelling. It is particularly striking for the way it looks at religious extremism from the perspective of Muslims who have seen their faith questioned and demonised because of the actions of radical extremists.

简介：

正如马提欧·加洛尼的《格莫拉》取得了不菲的国际声誉一样，又一部关于那不勒斯暴徒的电影已经准备好了席卷意大利的大银幕并企图搅乱全世界。加洛尼的自然主义犯罪作品是基于报社记者罗伯特·萨维尔诺关于那不勒斯的科莫拉辛迪加集团黑幕报道喧嚣尘上而得以闻名的，这位创造大事件的记者如今只能活在警察的保护之下。马可·西里的《黑道风云》也是如出一辙，出自另一位理想主义记者吉纳卡罗·希尔尼的报道，只是这位理想主义者最终猜到了黑帮组织的陷害未能幸免。本片预计于09年初公映。

简介：由于妻子美荣子（菅野美穗 饰）受到农药的影响而致病，家住青森县中津轻郡岩木山脚下的木村秋则（阿部隆史 饰）决定放弃果农延续多年的作业办法，希望培育出无需喷洒农药的纯天然苹果。他的决定超乎常人的想象，同时也被村民们认为是不可能的任务。可是一旦做了决定，他便一门心思研究起来。在此期间，美容子以及岳父征治（山崎努 饰）成为他精神和物质上最坚实的后盾。然而全无任何可以借鉴的秋则，只能在不断的失败中摸索前进，即使经过十几年的努力，他的梦想依然没能实现，而原本好好的一个家也到了崩溃的边缘。他哭泣，他绝望，期盼奇迹的降临……　　本片根据果农木村秋则的真实事迹改编。

简介：故事以岩手县的松尾村为背景，讲述东京统一剧团的统筹河野秀子(倍赏千惠子)到访当地，希望游说青年会合作制作一出名为「故乡」的音乐剧。身为会长的齐藤高志(寺尾聪)虽然大力支持，但由于经费、场地等问题，公演受到极大阻力。高志和秀子最后排除万难，终于得偿所愿，为千多名观众送上最真挚动人的一夜。为拍摄此片，山田及其制作班底花了一年多时间，实地考察统一剧团的地方公演。

简介：平凡少女花诗棋转来新学校，刚上课就因为手机铃声吸引了男神欧少森。花诗棋的手机铃声，让他想起了自己去世的母亲，从而对花诗棋产生亲切感。在课间课上欧少森总是有意无意的帮助花诗棋，使花诗棋对其心生好感。与家里矛盾日渐升温的欧少森，一气之下离家出走，恰巧来到花诗棋家的奶茶店，花妈妈发现欧少森是自己女儿的同学便热情的招待了他；欧少森向花妈妈提出兼职打工的意向，高甜强势突围，狗粮暴击预警就此开始。欧少森不仅工作非常努力，在学习上也经常帮助花诗棋；本以为能长此以往，但欧少森的父亲身体突然抱恙，欧少森只能离开陪父亲去欧洲看病。多年后大学毕业的花诗棋去国内最大的公司面试，两人在办公室再次相遇。

简介：

1960年2月，在山西省平陆县，数万名民工为支援三门峡建设工程，正在热火朝天地修筑风南公路。县委书记郝世山正在组织召开县委扩大会。突然，县公安局燕局长向郝书记汇报：风南公路第三连有6l位民工发生食物中毒，情况很危险。郝书记立即宣布休会赶赴现场。郝书记一面亲自领导抢救，一面派公安局燕局长调查案情。医院的医护人员全力投入抢救，经过会诊和化验的结果，证明是砒霜中毒，因民工中毒太深，非用特效药“二巯基丙醇”不可。当得知三门峡市药店有这种药时，郝书记立即派两名司药员火速前去寻找。可那里只有20支，离所需的1000支相差甚远。郝书记一边给省委陶书记打电话求援，一边派人四处寻找。虽然找到一些，但数量很少，而且因路途较远，救不了急，61条生命危在旦夕。消息终于传到北京，中央和毛主席都很关心。卫生部积极组织人力，从药品商店、药品仓库寻找此药，当药品准备齐后，卫生部药政...

简介：

简介：

根据乌兰高娃小说改编。东北某林区，一场大火吞噬了森林和林中的生物，留下满目凄凉和死一般的寂静。鄂伦春族少年吉若失去了欢乐。一年后，吉若偶然发现了梅花鹿母子。吉若救下偷猎者枪下的小鹿，把它带回家，每天与它吃住在一起。发现小鹿思念妈妈，吉若强忍住心中的痛苦，决心把小鹿送还给鹿妈妈。吉若一家把小鹿领进白桦林，小鹿向妈妈走去，却又回头看着吉若，吉若要小鹿快去找妈妈。小鹿终于跑向妈妈，回归大自然。

简介：清朝乾隆年间一起国子监监生失踪案，十四岁神童马钧在号舍考试时神秘失踪，顺天府府尹王成霖负责调查马钧下落，而就在王成霖查案期间，与马钧同场考试的监生却意外被杀使得案情更加扑朔迷离。

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.