12
8.2

我心狂野1997

导演:
雅什·乔普拉
主演:
沙鲁克·汗,玛杜丽·迪克西特,卡瑞诗玛·卡普尔,阿克谢·库玛尔,法丽达·贾拉尔,Deven Verma,阿鲁娜·伊拉尼
别名:
未知
8.2
12人评分
其它
语言
1997-10-31
上映时间
未知
片长
简介:
每个人在某个地方总有一个属于你的人存在。“我心狂野”就是让这种信念实现的故事。它讲述的是拉忽尔,一个不相信爱情的人的故事。拉忽尔不太理解人们是如何能够在一起相处一生,难道真的有人是属于他的吗?这又是关于坡佳,一个相信一定有人是属于她的,而且她一定能遇上那个人的女孩的故事。这还是关于妮莎,一个认为爱情就是友谊,终有一天她的梦想会实现的故事。这部电影还有出色的音乐献给那些有梦想而充满热情的人们。他们的梦想能实现吗?他们能找到他们的真爱吗?影片将让我们相信每个人在某个地方总有一个属于你的人存在。  Dil to pagal hai is a fantastic film. Its my all time favorite.I love to watch Yash Chopra films and among them its the best one. Since the year it released i.e 1997 no other film has touched me like this.My extreme love for DTPH is because of following reasons.. -Its tag line touches me i.e someone somewhere...is made for you. -Its story line and Yash Chopra's perfection as a director. -Its superb music by Uttam Singh and above all LATA MANGESHKAR's melodious duets with Udit Narayan.I love its songs; and in them, Lataji's voice (even more than old songs of Lataji) -Uttam singh's background instruments rock me whenever i listen to the numbers. -Shahrukh Khan's first performance in which he didnot deliver dialogs in the way like he earlier used to.He was very serious and his acting was quite,calm and mature.For the same reason he got several awards for this film. -Madhuri's performance was great and so was of Karisma.Both got awards and Karisma also got her first National Award. -I love its screenplay specially in the shots having an acting stage within the film.(See its climax to confirm what i said.) MUST SEE IT AFTER READING MY COMMENTS IF YOU ARE NOT SATISFIED WITH ME. I AM SURE YOU WILL ALSO BECOME A DTPH FAN LIKE ME.
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不安分的年轻人们
7.1
上映时间:2025年03月03日
主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔
简介:Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
38
已完结
不安分的年轻人们
主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔
36
9.0
更新至第30集
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9.0
上映时间:2025年03月03日
主演:Christian Eriksson,Johan Kylén,安娜·比耶尔克鲁德
简介:第64届圣塞巴斯蒂安国际电影节 评审团特别奖获奖作品。最奇特、最励志的超现实运动电影,新锐瑞典导演约翰·尼霍导演,打造寻找自身力量及归属感的现代寓言。孤独且外貌畸形的男子,以「法式滚球」作为自我实现的挑战,勇敢面对现实残忍与自身脆弱。  难以言语的孤独灵魂禁锢在畸形身躯的男子,独居在看护中心,自出生即与母亲分隔两地,只好将对母亲的思念寄託在最爱的法式滚球运动。他加入当地业馀球队,成天在狭小房间练投,他固执坚信若能赢得「北欧盃滚球大赛」冠军,便能与母亲团聚。然而,滚球运动是一场艰钜战役,他饱受残弱体态、歧视耳语的双重打击;这时,出现一位50英迟高的神秘巨人作他的强力后盾,带领他大步跨越俗不可耐的人生景色,俯瞰全世界。  导演在写实光景中交杂壮阔波澜的绚丽狂幻,除了空拍壮丽的瑞典国家公园以建构出超现实场景,片中的「北欧滚球大赛」也特邀了300多个临时演员,重建一场犹如真实的运动赛程。电影搭以苍凉悲壮的配乐,以幽默温暖笔触淡化角色天生的悲剧性及黑暗面,巧妙将奇想灌入现实荒谬中,即使在追寻梦想、择他所爱及衡量友谊价值的过程,充满苦痛、辛酸到令人不忍直视,但从主角眼中望出的坚毅视角却映照出一丝的希望曙光,不论运动的输赢,我们才是主宰自己的英雄。
36
更新至第30集
巨人
主演:Christian Eriksson,Johan Kylén,安娜·比耶尔克鲁德