9
8.6

哆啦A梦 大雄与银河超特急

导演:
未知
主演:
哆啦a梦:大山羡代,大雄:小原乃梨子,胖虎:立壁和也,小夫:肝付兼太,静香:野村道子
别名:
未知
8.6
9人评分
日语
语言
1996-03-02 00:00:00
上映时间
未知
片长
简介:
骨川小妇拿涌现正在滞销的秘稀水车的车票炫耀。刚田武,源静喷鼻香也念乘水车,恳供小妇也带他去。事先刻,年夜雄跑去,讲哆啦A梦3天也没有回家。小妇战肥虎以后也去了找哆啦A梦,年夜雄只顾找哆啦A梦,连早饭也没有吃。哆啦A梦回去后,讲他到了22世纪购银河列车的车票。哆啦A梦他们乘拆银河列车到银河各个星群游览,其余一边,秘稀的性命体正悄悄去袭……
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38
7.6
交通事故背后的情感纠葛
翡翠麻将
7.6
上映时间:2025年03月25日
主演:周雯琼,蔡鸿翔,王虹,王蕙
简介:在雪雾弥漫的清晨,一辆摩托车载着两个戴头盔的姑娘驶上立交桥。突然,摩托车猛地加速,撞坏桥栏杆,连人带车直坠桥下。这起交通事故,使公安局搁置10年的翡翠麻将案有了新的线索。从死者蓝芸身上发现翡翠麻将的一张么筒,而要求追查这副麻将下落也是蓝芸。刑警队长陈庭接到报告,立即进行调查。陈庭在蓝芸的卧室发现她与一青年男子的合影照。经了解,这个青年叫裴宁,是那辆摩托车的主人。陈庭又去找蓝芸单位的经理,经理介绍说:蓝芸是公司的美术设计,和她一起出事的叫贺尘,两人都爱上了裴宁,为此,蓝芸还打了裴宁两记耳光。陈庭去调查裴宁,裴宁讲述了大约在半年前,他陪着打扮妖治的蓝芸逛自由市场,没想到她竟向服装倒爷唐小亮大卖风情。从此,裴宁疏远了她而亲近贺尘。唐小亮溜进停尸房,盗走蓝芸身上的那张翡翠麻将。公安人员跟踪调查,发现唐小亮、女歌星宋媛也在打听这副麻将的下落。在一个深夜,宋媛打电话给一个男从,公安人员立即查出对方的电话号码。陈庭感到破案有希望了。但宋媛却被人杀害。陈庭马上逮捕那个男人,这个男人正是贺尘的父亲贺维明--蓝芸家的才邻居,蓝父单位的党办主任。正是他在文革中盗走了蓝家的那副翡翠麻将牌。然而,案情并未结束。蓝芸的死,使贺尘的精神倍受折磨,她摇着轮椅来到出事地点,长时间地悼念自己的好友,良心的谴责使她痛不欲生。她想触电自尽,被赶来的陈庭用枪打断电线。原来,贺尘得知蓝芸追查的那副麻将竟在自己家中,感到极大震惊,她了解蓝芸的性格,于是她借来裴宁的摩托车,想与蓝芸同归于尽。唐小亮深深爱着蓝芸。蓝芸死了,他也疯了。他用手指在蓝芸的墓碑上划着,划出永垂不朽几个血字。陈庭也来墓地。案子破了,人也死了,人和人之间为什么要如此争抢残杀?他但愿这是最后一个这样的案子。
38
交通事故背后的情感纠葛
翡翠麻将
主演:周雯琼,蔡鸿翔,王虹,王蕙
38
7.1
已完结
不安分的年轻人们
7.1
上映时间:2025年03月03日
主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔
简介:Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
38
已完结
不安分的年轻人们
主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔