海湾别墅

简介：剑神凤擎天一向以除魔伏妖为己任，与树妖姥姥决战后败伤而回，另书生洛知秋因追赶商旅不果而在黑山上邂逅一直为姥姥杀人的小雪，两人两情相悦，小雪更不惜放弃千年道行而与知秋结婚，正当他们过着愉快生活时，姥姥的追寻已开始……

简介：鲍威尔（安东尼•霍普金斯 Anthony Hopkins 饰）是一位专门研究黑猩猩的人类学家，他在卢旺达长期观察观察当地黑猩猩的活动。然而两年前，这位性情温和的学者突然性情大变，杀了两位当地的森林管理员以及伤害了多名管理员后神秘失踪。如今，他终于被逮捕归案，关押在美国高度戒严的精神病监狱。　　年轻的精神病专家卡尔特（小库珀•古丁 Cuba Gooding 饰）意图揭开鲍威尔精神失常之谜而一举成名，于是他深入到监狱直接与鲍威尔进行对话。鲍威尔一开始对这位访客充满敌意，身为人类学家的他在卡尔特面前一点也不落下风。随着对话的逐渐深入，卡尔特渐渐了解到了事件真相：鲍威尔杀害的管理员其实是偷猎大猩猩的恶棍……

简介：一个女孩子出身于富裕家庭，在乡间长大，后来上了体育学ddd。很快被老师发现她短跑成绩突出，于是她成了体育场上的高手。一时间，各大报纸不断地吹捧她，又有号称“运动家”的人主动追求。面对这突如其来的灯红酒绿的生活，她有些飘飘然，有些骄傲自满，不思进取，成绩开始下降。后来，她终于摆脱了这些本不属于她的东西，重新认识自我，又取得了新的成功。她亲眼看到了一个女运动员带病坚持参加比赛而最终死去的事情，她受到很大的震动，放弃了“体育皇后”的宝座，投身于她认为是真正的体育事业中。

简介：

农村中钢铁、粮食双丰收的故事。

简介：于四正在扶贫队少何蔚兰资助下成了柴禾沟的冒尖户，足里有钱后他自下自年夜，正在女子的婚礼上年夜搞启建迷疑，并自启董事少与他人办鞋厂，效果连同乡们的报名费皆被郎老七骗走，借钱时只好自掏腰包。为使自家的木板厂顺遂运营，他念把女女秋杏娶给供应商罗主任做女媳，遭女女谢绝…

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

简介：

回想早期的电子音乐，你很可能会看到男性在推动着按钮、旋钮和界限。虽然电子音乐常常被认为是男性的天下，但事实上，从一开始，女性就参与了那些定义未来声音形态的设备、技术和比喻的发明。作为影片的主角之一，劳里·施皮格尔解释说：“当女性作曲本身就充满争议时，我们女性尤其被电子音乐所吸引。电子技术让我们创作出的音乐可以被其他人听到，而无需被男性主导的体制所认真对待。”

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一位年轻的寡妇仍在为丈夫的去世而悲痛，她发现当地的一位油漆工正在安慰她。

简介：天堂之门”似乎一直笼罩在票房惨败导致联艺公司破产的阴影之中，使得多数观众失去了对它的兴趣，甚至完全忽略了影片的本质。然而，迈克尔西米诺对美国中西部景致的壮美抒写，剧情一反主流电影善用紧张花哨的噱头，平实却不乏味，充满了对日常的诗意描写，也有许多有趣味的段落，一个边溜冰边拉小提琴的音乐家，在餐桌上迫不及待的脱光衣服享受性爱的女孩，火车上满载的西装革履的枪手……如果光以票房来衡量一部电影的优劣，未免太武断了，可怜这部作品白白背负了这么多年的骂名——BYHerbsttag

简介：

十二岁以前，杰克列出他所有的工作清单，并着手在他的生活中一一实现。十五年之后，杰克成为了一个成功的律师。他的清单列表慢慢实现，也增加了更多条目。但他并没有把信仰纳入生活计划中。上帝在过去似乎并没有对他有所帮助，杰克可以在未来重拾信仰吗？

简介：

在野外徒步旅行时，五位好友遭到神秘枪手的都追杀，陷入一场绝命逃亡之战

简介：桑吉那（卡琳娜·卡普 Kareena Kapoor 饰）一转眼就到了结婚的年纪，她的姐姐介绍了一个名叫普瑞姆（阿布舍克·巴强 Abhishek Bachchan 饰）的男子给她认识，普瑞姆来到了桑吉那的家乡，桑吉那的家人们热情的接待了他。刚开始，桑吉那对这个男人不以为意，但渐渐的，两人被彼此的魅力所吸引，双双坠入了情网之中。　　在这个节骨眼上，桑吉那的姐姐打来了电话，她告诉桑吉那，真正的普瑞姆因为公司有事而无法前来，派来了公司里的主管先行和桑吉那见面。得知了这一真相，桑吉那的母亲希望女儿能够嫁给做老板的那个普瑞姆。之后，老板普瑞姆也来到了桑吉那家中。